[et_pb_section bb_built=\u00bb1″ disabled_on=\u00bboff|off|off\u00bb _builder_version=\u00bb3.6″ background_image=\u00bbhttp:\/\/www.coma14teatro.dev.cc\/wp-content\/uploads\/2018\/02\/coma14-fondo-1080×1080.jpg\u00bb parallax=\u00bbon\u00bb parallax_method=\u00bboff\u00bb custom_padding=\u00bb0px|0|0px|0px|false|false\u00bb][et_pb_row custom_padding=\u00bb46px|0px|0px|0px\u00bb _builder_version=\u00bb3.0.74″ module_alignment=\u00bbcenter\u00bb][et_pb_column type=\u00bb4_4″][et_pb_text admin_label=\u00bbTexto catal\u00e1\u00bb _builder_version=\u00bb3.6″ custom_margin=\u00bb20px||20px|\u00bb]<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding=\u00bb0px|0px|25.5781px|0px\u00bb _builder_version=\u00bb3.0.74″][et_pb_column type=\u00bb4_4″][et_pb_code _builder_version=\u00bb3.6″]<iframe width=\u00bb560″ height=\u00bb315″ src=\u00bbhttps:\/\/www.youtube.com\/embed\/PILetk-eGBM\u00bb frameborder=\u00bb0″ allow=\u00bbaccelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\u00bb allowfullscreen><\/iframe>[\/et_pb_code][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding=\u00bb45px|0px|25.5781px|0px\u00bb _builder_version=\u00bb3.6″ custom_padding_tablet=\u00bb0px|0px|25.5781px|0px\u00bb custom_padding_last_edited=\u00bbon|desktop\u00bb][et_pb_column type=\u00bb1_2″][et_pb_testimonial author=\u00bbJulio Salvatierra\u00bb job_title=\u00bbAcad\u00e9mico de las Artes Esc\u00e9nicas de Espa\u00f1a. Autor, Premio Ojo Cr\u00edtico de Teatro en 2006, Premio Nacional de Teatro en Portugal, varias nominaciones a los Premios Max con su compa\u00f1\u00eda Teatro Meridional\u00bb company_name=\u00bbBlog – Hablemos de teatro.\u00bb url_new_window=\u00bbon\u00bb _builder_version=\u00bb3.6″ box_shadow_style=\u00bbpreset2″ body_font=\u00bb||||||||\u00bb url=\u00bbhttps:\/\/juliosalvatierra.com\/2019\/02\/05\/1940-manuscrito-encontrado-en-el-olvido\/\u00bb]<\/p>\n
\u00abUn p\u00fablico enmudecido por una historia que le atrapa. Excepcionalmente recomendable.\u00bb<\/strong><\/p>\n [\/et_pb_testimonial][et_pb_testimonial author=\u00bbJes\u00fas Aus\u00edn\u00bb job_title=\u00bbEscritor, periodista\u00bb company_name=\u00bb- Diario 16.\u00bb url_new_window=\u00bbon\u00bb _builder_version=\u00bb3.6″ box_shadow_style=\u00bbpreset2″ body_font=\u00bb||||||||\u00bb url=\u00bbhttps:\/\/diario16.com\/los-girasoles-ciegos\/\u00bb]<\/p>\n \u00abLos actores est\u00e1n soberbios. Cuando sales de la funci\u00f3n muchos creen que lo que han visto es real.\u00bb<\/strong><\/p>\n [\/et_pb_testimonial][et_pb_testimonial author=\u00bbMayte Rodr\u00edguez\u00bb job_title=\u00bbCr\u00edtica teatral\u00bb company_name=\u00bb- Vista teatral.\u00bb url_new_window=\u00bbon\u00bb _builder_version=\u00bb3.6″ box_shadow_style=\u00bbpreset2″ url=\u00bbhttp:\/\/www.vistateatral.com\/2019\/02\/1940manuscrito-encontrado-en-el-olvido.html\u00bb quote_icon_background_color=\u00bb#f5f5f5″]<\/p>\n \u00abIntensamente recomendable. Desgarradores primeros planos. [\/et_pb_testimonial][\/et_pb_column][et_pb_column type=\u00bb1_2″][et_pb_testimonial author=\u00bbJos\u00e9 Miguel Vila\u00bb job_title=\u00bbPeriodista y escritor. Ha trabajado y colaborado en agencias de prensa, diarios y revistas, Gabinetes de Prensa y en cadenas de radio (Onda Cero, Radio Nacional de Espa\u00f1a e Intereconom\u00eda). Columnista y cr\u00edtico teatral\u00bb company_name=\u00bb- Diario Cr\u00edtico.\u00bb url_new_window=\u00bbon\u00bb _builder_version=\u00bb3.6″ box_shadow_style=\u00bbpreset2″ body_font=\u00bb||||||||\u00bb url=\u00bbhttps:\/\/www.diariocritico.com\/teatro\/critica-1940-manuscrito-encontrado-en-el-olvido-infame-turba-de-nocturnas-aves\u00bb]<\/p>\n \u00abSu factura es sencillamente deliciosa, redonda, contundente. [\/et_pb_testimonial][et_pb_testimonial author=\u00bbInmaculada Fern\u00e1ndez\u00bb job_title=\u00bbCr\u00edtica teatral\u00bb company_name=\u00bb- Teatro Madrid.\u00bb url_new_window=\u00bbon\u00bb _builder_version=\u00bb3.6″ box_shadow_style=\u00bbpreset2″ body_font=\u00bb||||||||\u00bb url=\u00bbhttps:\/\/teatromadrid.com\/recomendacion\/1940-manuscrito-encontrado-en-el-olvido-inmaculada-fernandez-villalba-2-43466″]<\/p>\n \u00abUna puesta en escena intensa, pl\u00e1stica, que nos sumerge en una atm\u00f3sfera agobiante de desesperaci\u00f3n, fr\u00edo y soledad.<\/strong>\u00ab<\/strong><\/p>\n [\/et_pb_testimonial][et_pb_testimonial author=\u00bbEstrella Savir\u00f3n\u00bb job_title=\u00bbPeriodista\u00bb company_name=\u00bb- A golpe de efecto.\u00bb url_new_window=\u00bbon\u00bb _builder_version=\u00bb3.6″ box_shadow_style=\u00bbpreset2″ body_font=\u00bb||||||||\u00bb url=\u00bbhttps:\/\/www.agolpedeefecto.com\/teatro_2019\/teatro-1940-manuscrito-encontrado-en-el-olvido.html\u00bb]<\/p>\n \u00abExcelente trabajo actoral. Directo al coraz\u00f3n [\/et_pb_testimonial][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding=\u00bb|||\u00bb make_equal=\u00bbon\u00bb module_id_1=\u00bbds-vertical-align\u00bb module_id_2=\u00bbds-vertical-align\u00bb module_class_1=\u00bbds-vertical-align\u00bb module_class_2=\u00bbds-vertical-align\u00bb _builder_version=\u00bb3.6″ module_alignment=\u00bbcenter\u00bb][et_pb_column type=\u00bb2_3″][et_pb_text admin_label=\u00bbTexto escritorio manuscrito sinopsis\u00bb module_id=\u00bbds-vertical-align\u00bb module_class=\u00bbds-vertical-align\u00bb _builder_version=\u00bb3.6″ custom_margin=\u00bb|||\u00bb]<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_3″][et_pb_image admin_label=\u00bbcartel escritorio\u00bb src=\u00bbhttp:\/\/www.coma14teatro.com\/wp-content\/uploads\/2021\/10\/Cartel-Manuscrito-ene-2019.jpg\u00bb show_in_lightbox=\u00bbon\u00bb show_bottom_space=\u00bboff\u00bb align=\u00bbcenter\u00bb module_id=\u00bbds-vertical-alig\u00bb module_class=\u00bbds-vertical-alig\u00bb _builder_version=\u00bb3.6″ border_width_all=\u00bb1px\u00bb border_color_all=\u00bb#d6901e\u00bb custom_margin=\u00bb|||\u00bb use_border_color=\u00bbon\u00bb border_color=\u00bb#0c0c0c\u00bb custom_padding=\u00bb|||40px\u00bb custom_padding_tablet=\u00bb||20px|0px\u00bb custom_padding_last_edited=\u00bbon|desktop\u00bb \/][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_width=\u00bbon\u00bb _builder_version=\u00bb3.0.74″][et_pb_column type=\u00bb4_4″][et_pb_accordion icon_color=\u00bb#e09900″ _builder_version=\u00bb3.6″ toggle_font_size=\u00bb12px\u00bb db_initial_state=\u00bball_closed\u00bb][et_pb_accordion_item title=\u00bbDOSSIER I FITXA T\u00c8CNICA\u00bb open=\u00bbon\u00bb _builder_version=\u00bb3.6″ title_text_shadow_horizontal_length=\u00bb0em\u00bb title_text_shadow_vertical_length=\u00bb0em\u00bb title_text_shadow_blur_strength=\u00bb0em\u00bb body_text_shadow_horizontal_length=\u00bb0em\u00bb body_text_shadow_vertical_length=\u00bb0em\u00bb body_text_shadow_blur_strength=\u00bb0em\u00bb custom_margin=\u00bb0px||0px|\u00bb custom_margin_tablet=\u00bb0px||0px|\u00bb custom_margin_phone=\u00bb0px||0px|\u00bb use_background_color_gradient=\u00bboff\u00bb background_color_gradient_start=\u00bb#2b87da\u00bb background_color_gradient_end=\u00bb#29c4a9″ background_color_gradient_type=\u00bblinear\u00bb background_color_gradient_direction=\u00bb180deg\u00bb background_color_gradient_direction_radial=\u00bbcenter\u00bb background_color_gradient_start_position=\u00bb0%\u00bb background_color_gradient_end_position=\u00bb100%\u00bb background_color_gradient_overlays_image=\u00bboff\u00bb parallax=\u00bboff\u00bb parallax_method=\u00bbon\u00bb background_size=\u00bbcover\u00bb background_position=\u00bbcenter\u00bb background_repeat=\u00bbno-repeat\u00bb background_blend=\u00bbnormal\u00bb allow_player_pause=\u00bboff\u00bb background_video_pause_outside_viewport=\u00bbon\u00bb text_shadow_style=\u00bbnone\u00bb box_shadow_style=\u00bbnone\u00bb text_shadow_horizontal_length=\u00bb0em\u00bb text_shadow_vertical_length=\u00bb0em\u00bb text_shadow_blur_strength=\u00bb0em\u00bb]<\/p>\n DOSSIER A4. COMPLET.<\/strong> PDF 4Mb<\/a> [\/et_pb_accordion_item][et_pb_accordion_item title=\u00bbMATERIAL DE PREMSA, CR\u00cdTIQUES I OPINIONS\u00bb open=\u00bboff\u00bb _builder_version=\u00bb3.6″ title_text_shadow_horizontal_length=\u00bb0em\u00bb title_text_shadow_vertical_length=\u00bb0em\u00bb title_text_shadow_blur_strength=\u00bb0em\u00bb body_text_shadow_horizontal_length=\u00bb0em\u00bb body_text_shadow_vertical_length=\u00bb0em\u00bb body_text_shadow_blur_strength=\u00bb0em\u00bb custom_margin=\u00bb0px||0px|\u00bb use_background_color_gradient=\u00bboff\u00bb background_color_gradient_start=\u00bb#2b87da\u00bb background_color_gradient_end=\u00bb#29c4a9″ background_color_gradient_type=\u00bblinear\u00bb background_color_gradient_direction=\u00bb180deg\u00bb background_color_gradient_direction_radial=\u00bbcenter\u00bb background_color_gradient_start_position=\u00bb0%\u00bb background_color_gradient_end_position=\u00bb100%\u00bb background_color_gradient_overlays_image=\u00bboff\u00bb parallax=\u00bboff\u00bb parallax_method=\u00bbon\u00bb background_size=\u00bbcover\u00bb background_position=\u00bbcenter\u00bb background_repeat=\u00bbno-repeat\u00bb background_blend=\u00bbnormal\u00bb allow_player_pause=\u00bboff\u00bb background_video_pause_outside_viewport=\u00bbon\u00bb text_shadow_style=\u00bbnone\u00bb custom_margin_tablet=\u00bb0px||0px|\u00bb custom_margin_phone=\u00bb0px||0px|\u00bb box_shadow_style=\u00bbnone\u00bb text_shadow_horizontal_length=\u00bb0em\u00bb text_shadow_vertical_length=\u00bb0em\u00bb text_shadow_blur_strength=\u00bb0em\u00bb]<\/p>\n DOSSIER DE PREMSA A4. COMPLET.<\/strong> PDF 2,5Mb [\/et_pb_accordion_item][et_pb_accordion_item title=\u00bbGIRA I VENDA D’ENTRADES\u00bb open=\u00bboff\u00bb _builder_version=\u00bb3.6″ title_text_shadow_horizontal_length=\u00bb0em\u00bb title_text_shadow_vertical_length=\u00bb0em\u00bb title_text_shadow_blur_strength=\u00bb0em\u00bb body_text_shadow_horizontal_length=\u00bb0em\u00bb body_text_shadow_vertical_length=\u00bb0em\u00bb body_text_shadow_blur_strength=\u00bb0em\u00bb custom_margin=\u00bb0px||0px|\u00bb use_background_color_gradient=\u00bboff\u00bb background_color_gradient_start=\u00bb#2b87da\u00bb background_color_gradient_end=\u00bb#29c4a9″ background_color_gradient_type=\u00bblinear\u00bb background_color_gradient_direction=\u00bb180deg\u00bb background_color_gradient_direction_radial=\u00bbcenter\u00bb background_color_gradient_start_position=\u00bb0%\u00bb background_color_gradient_end_position=\u00bb100%\u00bb background_color_gradient_overlays_image=\u00bboff\u00bb parallax=\u00bboff\u00bb parallax_method=\u00bbon\u00bb background_size=\u00bbcover\u00bb background_position=\u00bbcenter\u00bb background_repeat=\u00bbno-repeat\u00bb background_blend=\u00bbnormal\u00bb allow_player_pause=\u00bboff\u00bb background_video_pause_outside_viewport=\u00bbon\u00bb text_shadow_style=\u00bbnone\u00bb custom_margin_tablet=\u00bb0px||0px|\u00bb custom_margin_phone=\u00bb0px||0px|\u00bb box_shadow_style=\u00bbnone\u00bb text_shadow_horizontal_length=\u00bb0em\u00bb text_shadow_vertical_length=\u00bb0em\u00bb text_shadow_blur_strength=\u00bb0em\u00bb]<\/p>\n 2021<\/strong><\/span><\/p>\n 26 de noviembre.<\/strong><\/span> Elvas, Cine Teatro, Portugal.<\/span><\/strong><\/p>\n 12 de noviembre.<\/strong><\/span> \u00c1vila.<\/span><\/strong><\/p>\n 2 de octubre.<\/strong> Madrid, Teatro del Barrio.<\/span><\/strong><\/span><\/p>\n 26 de septiembre.<\/strong> Madrid, Teatro del Barrio.<\/span><\/strong><\/span><\/p>\n 19 de septiembre.<\/strong><\/span> Madrid, Teatro del Barrio.<\/span><\/strong><\/p>\n 12 de septiembre.<\/strong><\/span> Madrid, Teatro del Barrio.<\/span><\/strong><\/p>\n 5 de septiembre.<\/strong><\/span> Madrid, Teatro del Barrio.<\/span><\/strong><\/p>\n 4 de septiembre.<\/strong><\/span> Sahag\u00fan, Le\u00f3n.<\/span><\/strong><\/p>\n 20 de marzo.<\/strong> Le\u00f3n, Teatro Alb\u00e9itar ULE.<\/span><\/strong><\/span><\/p>\n 2019<\/strong> <\/span><\/p>\n 1, 8, 15, 22 y 29 de diciembre.<\/strong> Madrid, Teatro del Barrio.<\/span><\/strong><\/span><\/p>\n 7, 14, 21 y 28 de noviembre.<\/strong> Madrid, Teatro del Barrio.<\/span><\/strong><\/span><\/p>\n 30 de noviembre. Haro, Logro\u00f1o, Teatro Bret\u00f3n de los Herreros. <\/span><\/strong><\/span><\/p>\n 1, 8, 15, 22\u00a0 y 29 de diciembre.<\/strong> Madrid, Teatro del Barrio.<\/span><\/strong><\/span><\/p>\n 1 y 2 de junio.<\/span> Madrid, Teatro del Barrio.<\/span><\/strong><\/p>\n 25 de abril.<\/span> \u00c1vila, Lienzo Norte.<\/span><\/strong><\/p>\n 17, 18, 19 y 20 de abril.<\/span> Madrid, Teatro del Barrio.<\/span><\/strong><\/p>\n 1 y 2 de febrero.<\/span> Madrid, Teatro del Barrio.<\/span><\/strong><\/p>\n 10,11,12 y 31 de enero.<\/span> Madrid, Teatro del Barrio.<\/span><\/strong><\/p>\n 2018<\/strong><\/span><\/p>\n 20 de octubre.<\/span> Aranjuez, Nave de Cambaleo.<\/span><\/strong><\/p>\n 26 de enero.<\/span> MADFERIA (Work in progress) Madrid, Nave de Terneras.<\/span><\/strong><\/p>\n [\/et_pb_accordion_item][\/et_pb_accordion][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding=\u00bb19px|0px|23px|\u00bb custom_padding_tablet=\u00bb35px||0|0px|false|false\u00bb 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type=\u00bb4_4″][et_pb_text _builder_version=\u00bb3.6″] Col\u00b7labora [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row make_equal=\u00bbon\u00bb module_class_2=\u00bbds-vertical-align\u00bb _builder_version=\u00bb3.6″ module_alignment=\u00bbcenter\u00bb background_color=\u00bb#ffffff\u00bb background_color_1=\u00bb#ffffff\u00bb border_width_all=\u00bb1px\u00bb][et_pb_column type=\u00bb1_2″][et_pb_image _builder_version=\u00bb3.6″ src=\u00bbhttp:\/\/www.coma14teatro.com\/wp-content\/uploads\/2018\/10\/logo-com-madrid-cat-2-e1648468209302.jpg\u00bb align=\u00bbcenter\u00bb max_width=\u00bb20%\u00bb \/][\/et_pb_column][et_pb_column type=\u00bb1_2″][et_pb_image _builder_version=\u00bb3.6″ src=\u00bbhttp:\/\/www.coma14teatro.com\/wp-content\/uploads\/2018\/02\/coma14-fondo-1080×1080-01-e1538717025589.png\u00bb align=\u00bbcenter\u00bb max_width=\u00bb20%\u00bb \/][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding=\u00bb|||\u00bb make_equal=\u00bbon\u00bb module_class_1=\u00bbds-vertical-align\u00bb module_class_2=\u00bbds-vertical-align\u00bb _builder_version=\u00bb3.6″ module_alignment=\u00bbcenter\u00bb][et_pb_column type=\u00bb4_4″][et_pb_text admin_label=\u00bbTITULO FICHA ARTISTICA ESCRITORIO\u00bb _builder_version=\u00bb3.6″]<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding=\u00bb25px|0px|25px|0px|false|false\u00bb make_equal=\u00bbon\u00bb use_background_color_gradient_1=\u00bbon\u00bb use_background_color_gradient_2=\u00bbon\u00bb background_color_gradient_start_1=\u00bb#d6901e\u00bb background_color_gradient_start_2=\u00bb#d6901e\u00bb background_color_gradient_end_1=\u00bb#ffffff\u00bb background_color_gradient_end_2=\u00bb#ffffff\u00bb background_color_gradient_direction_1=\u00bb90deg\u00bb background_color_gradient_direction_2=\u00bb90deg\u00bb background_color_gradient_start_position_1=\u00bb0%\u00bb background_color_gradient_start_position_2=\u00bb0%\u00bb 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db_image_object_fit=\u00bbinitial\u00bb orientation=\u00bbportrait\u00bb show_title_and_caption=\u00bboff\u00bb show_pagination=\u00bboff\u00bb _builder_version=\u00bb3.0.74″ pagination_font_size_tablet=\u00bb51″ pagination_line_height_tablet=\u00bb2″ \/][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" [et_pb_section fb_built=\u00bb1″ disabled_on=\u00bboff|off|off\u00bb _builder_version=\u00bb3.6″ background_image=\u00bbhttp:\/\/www.coma14teatro.dev.cc\/wp-content\/uploads\/2018\/02\/coma14-fondo-1080×1080.jpg\u00bb parallax=\u00bbon\u00bb parallax_method=\u00bboff\u00bb 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\nHipn\u00f3tico espacio sonoro.\u00bb<\/strong><\/p>\n
\n<\/strong>Absolutamente imprescindible.\u00bb<\/strong><\/p>\n
\n<\/strong>del espectador.\u00bb<\/strong><\/p>\nA \u201c1940 Manuscrit trobat a l\u2019oblit\u201d narrem la hist\u00f2ria d\u2019una parella de joves que fugen de Madrid al final de la Guerra Civil estant ella embarassada de vuit mesos. El part esdev\u00e9 durant la partida a l\u2019hivern que va del 1939 al 1940 a les muntanyes que separen Ast\u00faries de Le\u00f3n.<\/span><\/h3>\n
La hist\u00f2ria ha pogut ser coneguda gr\u00e0cies al fet que es va trobar un quadern en una cabana en meitat dels Alts de Somiedo. Ho va trobar un pastor l\u2019any 1940 i fou escrit en primera persona per el mateix protagonista de la hist\u00f2ria. Aquest quadern va acabar als Arxius Generals de la Gu\u00e0rdia Civil al costat d\u2019un atestat dintre un sobre que tenia escrites les inicials D.D. (Difunt Desaparegut).<\/span><\/h3>\n
La posada en escena s\u2019emmarca en una suposada confer\u00e8ncia: Jornades d\u2019Estudi sobre \u201cLos girasoles ciegos\u201d, de Alberto M\u00e9ndez. L\u2019investigador\/fil\u00f2leg\/conferenciant, que rep a l\u2019espectador, ens endinsar\u00e0 a l\u2019univers de l\u2019autor i de la seva obra \u201cSegunda derrota: 1940\u201d.<\/span><\/h3>\n
A partir de la seva investigaci\u00f3 realitzada sobre el relat de Alberto M\u00e9ndez comparant-ho amb el quadern original extret dels arxius de la Gu\u00e0rdia Civil, coneixerem durant la lectura del manuscrit, el que va esdevenir dins la cabana els mesos posteriors al naixement de la criatura.<\/span> <\/span><\/h3>\n<\/div>\n<\/div>\n<\/div>\n
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Los girasoles ciegos<\/h3>\n
Alberto M\u00e9ndez<\/strong><\/h3>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
Int\u00e8rprets
\nLeticia Alejos
\nMiguel \u00c1lvarez | Pedro Almagro
\nPatxi Freytez | Lidia Ot\u00f3n
\n<\/strong><\/span>Xisca Ferr\u00e0 | Marta G\u00f3mez\u00a0
\n<\/strong>Vera Gonz\u00e1lez<\/strong><\/h1>\nDirecci\u00f3
\nTolo Ferr\u00e0<\/strong>
\n<\/span><\/h1>\nVersi\u00f3
\nNuria Hernando | Tolo Ferr\u00e0<\/strong>
\n<\/span><\/h1>\nEscenografia
\nSusana de U\u00f1a<\/strong>
\n<\/span><\/h1>\nIl\u00b7luminaci\u00f3
\nRoberto Cerd\u00e1<\/strong><\/span><\/h1>\n\u00a0<\/h1>\n
Composici\u00f3n musical
\nIv\u00e1n Palomares<\/strong>
\n<\/span><\/h1>\nEspacio sonoro directo
\nOdin Kaban<\/strong>
\n<\/span><\/h1>\nCoreograf\u00eda
\nMarta G\u00f3mez<\/strong>
\n<\/span><\/h1>\nVestuario
\nMarta Alonso<\/strong>
\n<\/span><\/h1>\nFotograf\u00edas
\nRay Garc\u00eda<\/strong><\/span><\/h1>\nProducci\u00f3n
\nComa14<\/strong><\/span><\/h1>\nCon el apoyo de
\nla Comunidad de Madrid<\/strong><\/span><\/h1>\nDistribuci\u00f3n
\nI\u00f1aki D\u00edez<\/strong><\/span><\/h1>\n